All of the tonal changes were made in Step Two. These four files were shot in sequence with the camera on a weighted tripod, so they’re already aligned.
Choose Tools>Photoshop>Load Files into Photoshop Layers.
STEP THREE: The adjusted RAW files are still selected in Bridge. With all of the RAW files selected in the Filmstrip, the changes made to the one framed in blue are propagated to the rest automatically. Increase the Contrast (+47), Highlights (+50), Clarity (+67), Vibrance (+53), and Saturation (+13.) I recommend you experiment with these settings for your own files. If you’re using the practice files, move the Temperature control to 3200. STEP TWO: Start by clicking the Select All button in the upper-left corner of the Camera Raw dialog or by typing Command-A (PC: Ctrl-A). Now, press Command-R (PC: Ctrl-R) to open them in Camera Raw hosted in Bridge. Click the first file, and then Shift-click the last file to select all the RAW files. STEP ONE: In Adobe Bridge, navigate to the folder where your RAW firework files reside. The following steps work in Photoshop CS5, CS6, and CC. If using your own files, you’ll need to use firework images that were shot on a tripod in the same sequence so they’ll be aligned when you open them later in Photoshop. These files are only for working this tutorial. To learn more about KelbyOne, click here.
ADOBE FIREWORKS CS6 MASKING TUTORIAL DOWNLOAD
[ All download files are for personal use only. KelbyOne members can download the four RAW files and four JPEG files used in this tutorial from the KelbyOne member website. For me, that last shot never measures up, so let’s create a blazing light spectacle with Camera Raw, layer masks, and blend modes in Photoshop. Even more of us set up the tripod and photograph them, hoping to capture the magnificence of the finale.
Everybody loves fireworks! Lots of us shoot them off.